Saturday, October 31, 2020

Portraits

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1. " Man with a cigarette " is a striking portrait I did with layered pen hatching. It displays the deep rich, dark tone of the man's complexion. I was satisfied with this piece, particularly because it was free handed, without much expectation of rather it would turn out be a keeper in my portfolio. It is also one of the first drawings, where I applied so much value with the Micron pens, regarding a portrait. I also like the way the unbuttoned, plaid shirt turned out, against his bare chest. 

2. " Portrait of a man wearing a robe " is another random portrait that I am satisfied with the outcome. This piece involved preliminary sketching, to get a clearer idea of what I wanted, as it especially relates to the placement of his hand. The gazing of his eyes, was important to me also. The streak of gray hair reminds me of the bride of Frankenstein of course! But I enjoy portraying middle aged men, or those approaching the period in their lives. I decided to add a pattern of candles along the robe, to symbolize a sense of meditation and spirituality in the man's life.

3. " Portrait of a man wearing a crown " is an Afrocentric approach to a man embracing his African heritage with pride and dignity. I find it very attractive, when certain men wear various head gear to compliment their appearance. Head pieces of cultural significance is something I like to add to help express the personality of the subject I chose to draw.

4. " Portrait of a man with  receding hair # 3 " apparently took three attempts, to come to a conclusion that I did my best with this portrait. I forgot about one of the preliminary sketches. This piece, like " Man with cigarette " is another multilayered hatch work of a drawing. The dark skin tone of his complexion turned out even more successful than the former drawing. The blending of hatch marks are more smoothly executed, as I grew more confident in the technique. There have been several men, I found to be very attractive with receding hair. This is not something I necessarily see as a flaw of a man's feature. I think it adds a special character of masculinity to their appearance quite often. 

5. " Ceremony for the birds " combines a sense of pride in heritage, identity, festivity and culture. It symbolizes a pagan approach to nature. Many indigenous cultures have their distinct way of embracing and appreciating nature. This was an idea I had of combining this approach, from an Afrocentric perspective. It was interesting and exciting, to create the effect of the white paint on the man's face. I also like the way the feathers turned out in this drawing. The streak of white hair in the man's beard makes him especially handsome. 

6. " Portrait of a man wearing beads " is a pen and wash drawing, that was inspired by a man I saw on the news, one evening. He was speaking during a brief interview with a news anchor. He was a student at Morehouse college. I remember him being strikingly handsome. There were these dark beads closely worn around his neck, almost like a choker. It was very appealing to me, especially because I went through a period of wearing beaded necklaces, that were mostly self made. I added the books and a sign that reads " Read, Grow, Learn " if it were seen in its entirety. This symbolizes the positive aspects of black men viewed in the media, that are often overlooked. This was an educated, articulate and attractive man who wasn't represented by a mugshot on the news.

 

Sunday, October 18, 2020

The Morning Paper # 4, 7, 6 & Lynching Blues # 30

                                               
 
                                      The Morning Paper # 7                                                                                                        

 
              The Morning Paper # 6                                            
  
                           
 
                                                   The Morning Paper # 4. 

                          
                                                Lynching Blues # 30
                                                       

Saturday, October 3, 2020

The Morning Paper

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 The third and final chapter to this Lynching Blues series focuses on the black press, and communicating to the black community, and the world about lynching and systemic racism.
1. The Morning Paper #8 explains the relevance of African Americans creating their own platform and media, to tell their stories and perspectives, regarding the issues that are important to them in society.

2. The Morning Paper #2 shows the power of distributing such media and information throughout the African American community. The man stands, shouting about the value of knowing what is happening
in your community and how it affects everyone as a whole. He is selling newspapers to passersby.

3. The Morning Paper # 3 is one of my favorite drawings in the series. A man walking in the winter season, with his little son, who will eventually be aware of the horrors of systemic racism as he ages. The concern and fear seems to overwhelm the father's face as he protects his child in the world. This wasn't intentionally created as I drew this piece. But what I enjoy most about loose drawing and sketching, is the work becomes its own entity, and tells a subconscious story that the artist wasn't aware of while creating. This is revealed after finishing a piece, in which this is a good example of that.

4. The Morning Paper is my favorite in this chapter of the series. The mood and setting of this drawing really draws me in, and inspired me to continue with this particular chapter, of expressing how information that personally affects an individual is processed. It is the first one in the chapter, and also a piece in which the original sold! I was very excited and proud of the sale.

5. The Morning Paper #5 is an important piece particularly, because it explains how the younger generation had to learn and process this information, and the psychological trauma of realizing that numerous black people were being murdered in their community. The fear and anxiety that must have come over them, as they are being told what to do, and what not to do, in the hopes that they too would not become a victim of a lynching. The young man with the satchel appears to be a paper route carrier, sharing the news with his friends. 

No, I'm not letting you go.

  1. No, I'm not letting you go